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宋代人物画向世俗题材拓殖状况与风俗画兴起的原因
引用本文:程波涛.宋代人物画向世俗题材拓殖状况与风俗画兴起的原因[J].阅江学刊,2010(5):106-111.
作者姓名:程波涛
作者单位:安徽大学,安徽合肥230601
基金项目:安徽省教育厅高校优秀青年人才基金项目(2009SQRS015)
摘    要:宋代人物画创作中出现了明显的向世俗题材拓殖的现象,促成了风俗画的大量出现。尘世百态、民俗事象成为当时风俗画中常见的描绘题材,这类绘画创作在取材、立意和表现方法上充满世俗趣味,在人物画发展史上具有鲜明的特色。风俗画与院体画、文人画等一起,共同构筑了宋代绘画的整体风貌,从而也为我们全面而深入地认识宋代人物画创作提供了新的视点。

关 键 词:宋代人物画  风俗画  世俗题材

On Figure Paintings of Song Dynasty Turning to Secular Subject Matter and the Causes of the Rise of Genre Paintings
CHENG Bo-tao.On Figure Paintings of Song Dynasty Turning to Secular Subject Matter and the Causes of the Rise of Genre Paintings[J].Yuejiang Academic Journal,2010(5):106-111.
Authors:CHENG Bo-tao
Institution:CHENG Bo-tao ( Anhui University, Hefei 230601, China)
Abstract:The figure paintings of Song Dynasty obviously turned to the secular subject matter, leading to the rise of large amount of genre paintings. The various aspects of life and folk customs became the common subject matter of paintings at that time. Those paintings were full of worldly interest with respect to choice of subject matter, conception and representation and have distinctive characteristics in the history of figure painting. The genre paintings and paintings with academic style, along with paintings of man-of-letters, jointly constitute the overall style of the paintings of Song Dynasty, thus providing us a new perspective of acquiring a comprehensive and in-depth understanding of the figure paintings of Song Dynasty.
Keywords:figure painting of Song Dynasty  genre painting  secular subject matter
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