| 马克思艺术哲学的“关系”哲学重构 |
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| 引用本文： | 刘方喜. 马克思艺术哲学的“关系”哲学重构[J]. 阅江学刊, 2010, 0(2): 5-12 |
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| 作者姓名： | 刘方喜 |
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| 作者单位： | 中国社会科学院,北京100732 |
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| 摘 要： | 以物质生产为原点，以“人与人的社会关系”、“人与物的自然关系”为两个基本向度，意识形态性艺术、商业化艺术、自由艺术，乃是马克思艺术哲学勾勒出的艺术的三种形态。马克思艺术哲学的“关系”哲学重构，超越了传统的“经济基础一上层建筑”理论框架，突破了单一的艺术意识形态论，在新的时代条件下具有极其重要的理论价值和现实意义。
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| 关 键 词： | 艺术哲学 物质生产 自然关系 社会关系 物质变换 |
The Reconstruction of Relation Philosophy of Marxist Art Philosophy |
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| LIU Fang-xi. The Reconstruction of Relation Philosophy of Marxist Art Philosophy[J]. Yuejiang Academic Journal, 2010, 0(2): 5-12 |
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| Authors: | LIU Fang-xi |
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| Affiliation: | LIU Fang-xi ( Research Institute of Literature, China Academy of Social Sciences, Beijing 100732, China) |
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| Abstract: | Originated from material production, and based on two basic dimensions of ＂social relation among human being＂ and ＂relation among human being and nature, Marxist Art Philosophy has outlined the three patterns of art： ideological art, commercialized art and free-style art. The reconstruction of relation philosophy of Marxist Art Philosophy surpassed the traditional theoretical framework of ＂economic basis-superstructure＂, break through the single ideological theory of art and has important theoretical values and practical significance under the conditions of the new era. |
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| Keywords: | art philosophy material production natural relation social relation material exchange |
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