| 世界图景悖论——兼论艾舍尔《画廊》的哲学意义 |
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| 引用本文： | 吴国盛. 世界图景悖论——兼论艾舍尔《画廊》的哲学意义[J]. 北京大学学报(哲学社会科学版), 2001, 0(4) |
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| 作者姓名： | 吴国盛 |
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| 作者单位： | 北京大学哲学系!北京100871 |
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| 摘 要： | 哲学应该去思考科学的世界描绘的条件和界限。世界作为存在者的整体是大全 ,但大全不能是一个存在者 ,否则就会出现悖论。世界图景作为一种公开场 ,不可能是完备的。如果它是完备的 ,就会出现悖论。艾舍尔的《画廊》是一幅完备但不一致的怪圈 ,它让不能同时在场者同时出场。怪圈提示着世界的荒谬性。科学越是无禁区、越是无边界 ,科学的世界图景就越是荒谬
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| 关 键 词： | 世界图景 悖论 艾舍尔 |
Paradox of the World Picture: the philosophical Meaning of Escher''''s Print Gallery |
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| WU Guo|sheng. Paradox of the World Picture: the philosophical Meaning of Escher''''s Print Gallery[J]. Journal of Peking University(Humanities and Social Sciences), 2001, 0(4) |
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| Authors: | WU Guo|sheng |
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| Abstract: | The purpose philosophy is to consider the condition and limit of scientific world making.The world as the totality of beings cannot be a being itself,otherwise there will be paradox.The wolrd picture as an open field can never be complete in itself.If it is complete,it must be paradoxical.Escher's %Print Gallery% is a complete but inconsistent strange loop,which puts the absent into the present.This strange loop implies the absurdity of the world. |
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| Keywords: | World picture Paradox Escher |
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