| 孟称舜"传情"理论及其戏曲创作 |
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| 引用本文： | 刘伟.孟称舜"传情"理论及其戏曲创作[J].中国矿业大学学报(社会科学版),2002,4(3):124-129. |
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| 作者姓名： | 刘伟 |
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| 作者单位： | 徐州师范大学,文学院,江苏,徐州,221116 |
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| 摘 要： | 孟称舜戏曲深受汤显祖的影响 ,前期剧作和“传情”理论表现出对“至情”的赞颂和对封建礼教的批判。作为生活在明清易代时期的落魄文人 ,他又与那个时代和环境紧密相连 ,由于受到当时社会、思想等多种因素的影响 ,其传情理论和戏曲创作都发生了很大的变化。他以“诚”为主体 ,他“情正”与“言道”结合的“言情”倾向 ,是他的特色 ,也是他的局限。
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| 关 键 词： | 孟称舜 戏曲 传情理论 剧作 |
| 文章编号： | 1009-105X(2002)03-0124-06 |
| 修稿时间： | 2002年4月22日 |
On Meng Chen-shun's Romance Theory and His Opera and Drama Greation |
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| LIU,Wei.On Meng Chen-shun''''s Romance Theory and His Opera and Drama Greation[J].Journal of China University of Mining & Technology(Social Sciences),2002,4(3):124-129. |
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| Authors: | LIU Wei |
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| Abstract: | Though Meng Chen-shun's romance theory on opera came from Tang-Xianzu. His early dramas and his romance theory show his praise of "love" and his criticism of the feudal ethics. As a man of letters in straits, who lived in the transitional period between Ming and Qing, he was closely connected with the environments of the then era. Influenced by the society and the concepts of his times, his romance theory and drama creation underwent great changes. He took "sincerity" as the subject. His tendency of "romance", which is the combination of "true love" and "Dao", is his special feature as well as his weak points. |
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| Keywords: | Meng Cheng-shun opera romance theory drama |
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