| 浅谈李斯特钢琴改编曲及演奏技巧 |
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| 引用本文： | 刘小静.浅谈李斯特钢琴改编曲及演奏技巧[J].江汉大学学报(人文科学版),2008,27(6):107-109. |
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| 作者姓名： | 刘小静 |
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| 作者单位： | 江汉大学,艺术学院,武汉,430056 |
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| 摘 要： | 19世纪上半叶,以钢琴演奏家和作曲家两种身份出现的李斯特,运用自己非凡的钢琴演奏技术和创作技巧将非钢琴作品改编为钢琴曲。这种独特的方式,极大地发展了浪漫主义音乐精神,给浪漫主义音乐注入了新的活力。
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| 关 键 词： | 李斯特 钢琴改编曲 演奏技术 |
Liszt's Piano Arrangements and Pianism |
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| LIU Xiao-jing.Liszt''s Piano Arrangements and Pianism[J].Journal of Wuhan Institute of Education,2008,27(6):107-109. |
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| Authors: | LIU Xiao-jing |
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| Institution: | LIU Xiao-jing ( School of Art, Jianghan University, Wuhan 430056,China) |
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| Abstract: | In the first half of the 19th century, Liszt appeared in the dual identities of both a pianist and a composer. By employing his lutstanding pianism and his artistic technique, he arranged non - pi- anopieces for piano music. In this unique way he most greatly developed the romantic musical spirit and injected new vitality into romantic music. |
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| Keywords: | Liszt piano arrangement pianism |
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