| 抽象画派：语言本体论的图式化 |
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| 引用本文： | 陈美珍,姜晓洁.抽象画派：语言本体论的图式化[J].延安大学学报(社会科学版),2008,30(3):75-77. |
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| 作者姓名： | 陈美珍 姜晓洁 |
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| 作者单位： | 1. 西南民族大学艺术学院,四川成都,610041
2. 陕西省广播电视大学延安分校,陕西延安,716000 |
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| 摘 要： | 以康定斯基和蒙德里安为代表的抽象画派以绘画语言符号本身即点、线、面来组合画面，把西方绘画从传统的客观形体再现中彻底解放出来，强调越是“抽象”越能把握生命的本质和奥秘，对西方传统客观还原性的艺术范式进行了根本性的质疑和解构。同时，抽象画派通过对绘画形式语言的强调，完成了绘画语言从功能到本体的转换，由此抽象画派呈现为一种语言本体论的图式化。
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| 关 键 词： | 抽象画派 解构 有意味的形式 图式化 |
Abstractionism: the Schema of Lingual Ontology |
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| CHEN Mei-zhen,JIANG Xiao-jie.Abstractionism: the Schema of Lingual Ontology[J].Journal of Yan'an University (Social Science Edition),2008,30(3):75-77. |
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| Authors: | CHEN Mei-zhen JIANG Xiao-jie |
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| Institution: | CHEN Mei - zhen , JIANG Xiao - jie ( 1. The Southwest University for Nationality, Chengdu, Sichuan 610041 ; 2. Yanan Branch School,Shaanxi Radio and TV College, Yanan,Shaanxi 716000) |
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| Abstract: | Abstractionism organizes paint by the application of points, lines and surfaces, which has the represent of Kandinsky and Mondrian. Abstractionism liberate the western painting from the imitation and reproduction of concrete images , emphasizing the more abstract the more master the basic nature and mysteries of life, so challenged the traditional painting of the west . The same time, Abstractionism transformed the painting language from function to thing - in - itself by emphasizing the linguistic form. |
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| Keywords: | abstractionism deconstruction the form of meaning schema |
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