从吹芦笛的诗人到自觉的时代歌唱者--读艾青的《我爱这土地》

《我爱这土地》以它与艾青其它诗歌的统一性汇入他的诗歌大潮中,但在整体精神相对一致的书写中已经包含了具体意象意境的差异,这些差异表现出他对自我身份、生存价值、生命意义、死亡意识的认识的一系列发展,开启了后来的写作内涵。该诗成为艾青诗歌的一个转折点,是诗人对自己创作的一次自觉的界定,完成了作者对自我的三个层面的超越,反映了诗人的自我发展与时代要求之间的统一,由此更显示出它独特的意义与地位。

From A Poet of Playing the Reed Flute to A Conscientious Singer for the Times--After Reading Ai Qing's I Love The Land

On the whole Ai Qing's poems always voiced and embodied various different specific imageries and artistic conceptions. These differences show a series of developments in his cognition of himself's identity, surviving value, life significance and consciousness of death, which highlight his later writing. Besides such features, I Love The Land, as one of his poems, is unique to some extent, which becomes a turning point of Ai Qing's poems and is a conscientious allocation of himself's creation. In the poem the writer transcends himself in three kinds of level. And it reflects the unification of the poet himself's development and the times' requirement. Therefore the poem is considered to be more significant and more remarkable.