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| A Critique of Chinese Postmodern Drama in the 1990s | |
| 摘 要： | The development of Chinese post-mod-ern drama in the 1990s displays the rebel-lious and innovative experimental attitude ofyoung Chinese playwrights. Its basic ten-dency in the first half of the decade was todeconstruct tradition and rebel against theclassics, while in the second half it movedtowards mass culture and left-wing politics. |
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