现代海派小说的性爱观念及其写作的文学史意义

在上海这片古旧的传统伦理道德的土壤上,我们既可以看到五四启蒙理性的影子,又可以看到崭新的都市所承载的前卫现代的性伦理观念的身影,同时随着革命文学逐渐火爆,还不时有革命理性的身影在文本中闪现。海派作家与沈从文为代表的京派、茅盾为代表的革命文学、赵树理为代表的解放区文学共同构成了一个多层的性爱叙事的文学共生场。从五四时期人们对爱情的渴望,到海派作家对爱情的解构,到革命文学中作家对"灵与肉"的弃绝,再到90年代之后的部分作家的无爱性,我国文学领域中灵与肉的张力关系经历了此消彼长的动态过程。

Romance in Modern Shanghai School Literature and Its Significance in Literary History

In Shanghai,a soil of old morals and ethics and meanwhile a metropolitan with avant-garde ideology,there remains the trail of the May 4 Movement enlightenment and there also exists modern idea of sex ethics.With the popularity of revolutionary literature,revolutionary ideas are often seen in literary works.Writers of Shanghai School,those of Beijing School represented by Shen Congwen,revolutionary writers represented by Mao Dun,and writers from the liberated regions represented by Zhao Shuli,altogether have constituted a multilayered Para-genetic literary field of romantic narrative.From the May 4 Movement writings highlighting people's longing for love,to the Shanghai School works deconstructing love,to the revolutionary writings abandoning the topic of "spirit and flesh",and to the post-1990s writings without any touch of love,the theme of romance in China's literature went through a dynamic process with alternate vicissitudes.