| 六法论与中国当代写意性油画 |
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| 引用本文： | 赵治武.六法论与中国当代写意性油画[J].山西大同大学学报（社会科学版）,2012,26(2):107-109. |
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| 作者姓名： | 赵治武 |
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| 作者单位： | 山西大同大学艺术学院,山西大同,037009 |
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| 摘 要： | 油画作为西方的传统绘画,在中国经历百余年的传播和学习融合,逐渐形成了有中国文化意味的写意性油画。写意性油画深受中国传统的美术品评标准和重要美学原则"六法论"的影响,是油画在中国成长的特殊产物,也是中国油画创作的新的方向。
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| 关 键 词： | 六法论 写意性 油画 |
Research on Chinese Contemporary Oil Painting and Freehand Brushwork |
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| ZHAO Zhi-wu.Research on Chinese Contemporary Oil Painting and Freehand Brushwork[J].Journal of Shanxi Datong University(Social Science Edition),2012,26(2):107-109. |
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| Authors: | ZHAO Zhi-wu |
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| Institution: | ZHAO Zhi-wu(School of Art,Shanxi Datong University,Datong Shanxi,037009) |
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| Abstract: | Oil painting serves as the tradition of the west in the spread of Chinese painting,with a history of more than 100 years.In this one hundred years,the freehand brushwork gradually formed.Freehand brushaork was influenced by traditional evaluation standards and "Six Principles",it is a product of localization of oil painting in China,and it is a new trend. |
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| Keywords: | Six Principles freehand oil painting |
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