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论音乐演奏的审美控制
引用本文:徐静.论音乐演奏的审美控制[J].扬州大学学报(人文社会科学版),2011,15(2):112-118.
作者姓名:徐静
作者单位:扬州大学艺术学院,江苏扬州,225009
基金项目:江苏省高校人文社会科学研究项目
摘    要:在音乐演奏过程中,应做到主客统一把握审美标准,对审美"离向"和"离轨"的倾向进行修正;使音音运动沿着相对平衡方向和关系正常进行;使审美音响从"无序"表达走到"有序"自由抒发的运行规律上来。在审美标准的指导下,应兼顾审美标准的相对独立性、可变性、文化差异性,使演奏主体个性与原作品共性协调、适度把握,兼顾听众审美标准,在理论与实践中明确适度控制审美标准对于音乐演奏立美的意义。

关 键 词:演奏立美  审美标准  适度控制

On Aesthetic Control in Musical Performance
XU Jing.On Aesthetic Control in Musical Performance[J].Journal of Yangzhou University(Humanities and Social Sciences Edition),2011,15(2):112-118.
Authors:XU Jing
Institution:XU Jing(School of Arts,Yangzhou University,Yangzhou 225009,Jiangsu,China)
Abstract:In musical performance,artists apply the principle of subject-object unity,convey the musical messages at a relatively balanced level by revising the possible aesthetic deviation",and lead the musical sounds in an orderly mode.Under the guidance of the aesthetic standards,we should also take into account their relative independence,variability and cultural differences.It is held that the subjectivity of the artist,the objectivity of the original music,and the aesthetic standards of the audience are all crucial factors participating in the creation of the musical beauty.
Keywords:creation of beauty in musical performance  aesthetic standards  moderate control  
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