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典型的局限与张力——20世纪艺术典型论在中国的传播以及研究
引用本文:王卫东,曾静,薛骥.典型的局限与张力——20世纪艺术典型论在中国的传播以及研究[J].云南社会科学,2006,1(5):124-128.
作者姓名:王卫东  曾静  薛骥
作者单位:云南大学,人文学院,云南,昆明,650091
摘    要:共性与个性的关系是典型理论的核心,是人作为类和个体的双重反映。从对20世纪艺术典型论在中国传播的历史回顾和研究可以看出,典型的共性和个性在历时上表现出了此消彼长和相互制约的平等,在共时上则表现出了共性先于个性的失衡,它们之间既呈现出孜孜求合的内部张力,又呈现出无法求合的先天局限,典型理论存在着矛盾和悖论。

关 键 词:典型  共性  个性  象征
文章编号:1000-8691(2006)05-0124-05
修稿时间:2005年11月16

Spread and Research of Art Prototype Theory of the 20th Century in China
WANG Wei-dong,ZENG Jing,XUE Ji.Spread and Research of Art Prototype Theory of the 20th Century in China[J].Social Sciences in Yunnan,2006,1(5):124-128.
Authors:WANG Wei-dong  ZENG Jing  XUE Ji
Abstract:The relationship of the generality and the individuality is the core of Prototype theory,which dually reflects human's existence as generality and individuality.From the historical review and research of the art prototype theory during 20 century in China,generality and individuality of the prototype show the relationship which rise one after another and restrict each other in history.And the unbalance that generality is prior to individuality also exists at the same time.There are not only close inside tension but also innate limitations between them.The prototype theory has its own self-contradiction.
Keywords:Prototype  Generality  Individuality  Symbol  
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