| 论沈虹光对战争历史题材话剧的探索 |
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| 引用本文： | 余蔷薇. 论沈虹光对战争历史题材话剧的探索[J]. 江汉大学学报(人文科学版), 2011, 30(2): 43-47 |
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| 作者姓名： | 余蔷薇 |
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| 作者单位： | 武汉大学文学院,武汉,430077 |
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| 摘 要： | 湖北剧作家沈虹光的战争历史题材话剧创作有得有失，与其表现日常生活的话詹j呈现出不同的特点。用日常性的手法建构非日常性的战争历史，势必会在一定程度上消解历史本应有的剧烈冲突。：视角的局限阻碍了沈虹光塑造立体感的英雄人物。其剧作在文学性方面效果突出，但平淡内隐的戏剧形态下，缺乏扣人心弦的舞台效果。
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| 关 键 词： | 沈虹光 话剧创作 战争历史题材 文学性 舞台效果 |
On Shen Hongguang's Probe into Plays Taking Wars as Historical Subject Matter |
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| YU Qiang-wei. On Shen Hongguang's Probe into Plays Taking Wars as Historical Subject Matter[J]. Journal of Wuhan Institute of Education, 2011, 30(2): 43-47 |
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| Authors: | YU Qiang-wei |
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| Affiliation: | YU Qiang-wei(College of Chinese Language and Literature,Wuhan University,Wuhan 430072,China) |
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| Abstract: | Hubei playwright Shen Hongguang's creation of the plays taking wars as historical subject matter is with gains and losses,different from the plays about daily life.Applying routing devices to constructing non-routine war history will weaken the acute conflict that the history is with.The sight limitation prevents Shen Hongguang from creating heroic characters from every aspect.And her plays are effective in the aspect of literature,but lack gripping stage effect in a state of ordinariness and indelicacy. |
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| Keywords: | Shen Hongguang play creation subject matter of war history literariness stage effect |
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