《画皮》的传播与意义转换

从文学传播角度看，《画皮》从清代妻妾对比意味，到20世纪善恶斗争主题，再到2008年陈嘉上浪漫传奇式演绎，经历了相对完整的传播流程，其意义也相应发生着转换。那么对《画皮》的主旨以及现代电影改编中所发生的意义转换，应从文学传播角度做动态理解。这样才能避免从本质主义思路对《画皮》的电影形态强加社会批判使命，从而正确处理文学作品与电影改编之间的关系。

On the Transformation of "Painted Skin" in Modern Dissemination

The theme of ＂Painted Skin＂ by Pu Song-ling （1640-1715） has been transformed from ＂the concubine contrast with the wife＂ in the late Qing Dynasty into ＂the struggle between the good and the evil＂ and into the ＂romantic love between the man and the fox＂ in the twentieth century. The transformation corresponds to literature communication. The comment on the film ＂Painted Skin＂（direeted by Chen Jia-shang,2008） is a dynamic understanding of the literature communication and some kind of soeial criti- cism and moral enlightenment mission to modern film should be avoided.