| 太极“气韵”与朝鲜（韩）民族舞蹈文化及“韵律”之关联 |
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| 引用本文： | 向开明,严德善.太极“气韵”与朝鲜（韩）民族舞蹈文化及“韵律”之关联[J].延边大学东疆学刊,2002,19(1):94-100. |
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| 作者姓名： | 向开明 严德善 |
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| 作者单位： | 延边大学艺术学院,吉林,延吉,133000 |
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| 摘 要： | "太极"独特的"气韵观"中,"气"论占据了古代社会全部意识领域,影响着中国舞蹈乃至东亚舞蹈艺术表现风格的形式及体系的建立;"韵"的审美价值的确立对舞蹈美学思想产生了直接的影响,构成了舞蹈艺术之理念"气韵观".朝鲜(韩国)舞蹈文化在其形成过程中受到了中国道教思想的影响.
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| 关 键 词： | 太极"气韵" 朝鲜民族舞蹈文化 "韵律" |
| 文章编号： | 1002-2007(2002)01-0094-07 |
| 修稿时间： | 2001年12月17 |
Taiji "Qi and Rhyme": Its Connections with Korean Dance Culture and "Rhyme" |
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| Xiang Kaiming and Yan Deshan.Taiji "Qi and Rhyme": Its Connections with Korean Dance Culture and "Rhyme"[J].Dongjiang Journal,2002,19(1):94-100. |
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| Authors: | Xiang Kaiming and Yan Deshan |
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| Abstract: | Taoist thought has a great impact on the establishment of the Korean dance culture. Asfor the concept of Taji "qi and rhyme", the theory of "qi" played an important role in the ideo-logical world of ancient China as well as the establishment of the artistic style and system for Chi-nese and East Asian dances. And the aesthetic value on "rhyme" also produced a direct irifluenceupon aesthetics of dance and formulated the concept of "qi and rhyme" for the dance. |
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