明清小说中的宝失家败母题及渊源

宝贝兵器失则主人败亡,是明清通俗小说常见情节,体现了宝物与人物主体的双向互动关系。首先,宝物失则人亡国失,产生在关注个体生命价值的汉末魏晋。其次,宝失人亡,往往连带着拥有者家道败落。其三,某一异物的出现与消失,也与物因宝失家贫。而掘墓宝毁运败,则体现了母题与丧悼文化的结合。其还与古代的人体崇拜结合,衍生出人身体异征失则人亡的信奉。还由人体上的某种器官,延展到人某些近身的佩饰之物上。可以说,既是构成明清小说中的那些神秘的宝贝兵器描写层出不穷、花样翻新的深层观念成因,又时时催奋和印证着宝贝兵器文学描写的合理性和实用性。

The Motif that the Family Decline When Tts Treasure Lost and Its Source in Ming-Qing Novels

It is a familiar polt that the master discomfit when his treasure weapon lost in Ming-Qing novels, which embodys the bi directional mutualism relation between the treasure and his master. First of all, the treasure lost and meanwhile his master die or the country vanish, which produce in the late of Han dynasty and Wei-Jin times when people pay more attention to individual anima value. While there is a consanguineous between the treasure lost and meanwhile his master die and his family decline. There is the seam rela tion between some peculiar objects appear or disappear and the mode that the family poorness when its treasure lost. The pattern that the fortune decline when the treasure was destroyed in the course of digging tomb, which embodys an integrated relation between the motif and the mourning culture. And there is an integrated relation between the motif and the ancient God’s image adoration, and meanwhile derives from the adoration that the man died when the peculiar character of his body disappears. And there is a scale-up from an apparatus of the body to close-fitting accouterment. In a word, it is the supernatural drawing and abundantly deep conception that inspires the rationality and practicability of the literature drawing of the treasure weapon in the Ming-Qing novels.