| 浅论音乐表演 |
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| 引用本文： | 王亚书. 浅论音乐表演[J]. 盐城师范学院学报, 2001, 21(4): 80-82 |
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| 作者姓名： | 王亚书 |
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| 作者单位： | 盐城师范学院艺术系 江苏盐城224002 |
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| 摘 要： | 音乐表演是实现音乐作品审美价值、形成音乐审美鉴赏必不可少的环节.音乐表演是一种针对原创音乐作品的二度创造,必须兼顾求真与创新,正确处理好作品的虚与实.音乐表演者既要具备高超的表演技术、技巧,又要恰当地运用技巧、手段,将音乐作品的情感、情韵、情境充分演绎出来.
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| 关 键 词： | 音乐表演 求真 创新 虚 实 演技 表情 |
| 文章编号： | 1003-6873(2001)04-0080-03 |
| 修稿时间： | 2001-05-23 |
On Musical Performance |
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| WANG Ya-shu. On Musical Performance[J]. Journal of Yancheng Teachers College(Humanities & Social Sciences Edition), 2001, 21(4): 80-82 |
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| Authors: | WANG Ya-shu |
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| Abstract: | Musical performance, a recreation process on the part of the performer, is an indispensable step to the realization of aesthetic values of musical works and their appreciation. In the process of recreation, faithfulness and creativity should be given appropriate proportion to maintain the balance between the tangible and the intangible of the musical themes. Musical performers should be equipped with superb skills and techniques, but at the same time, they should not be carried away by the skills and techniques, so that the emotions, sentiments, and contextual implications embodied in the musical works can be fully presented. |
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| Keywords: | musical performance faithfulness creativity tangible intangible techniques sentiment presentation |
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