| 论赵元任对中国民族音乐创作的贡献 |
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| 引用本文： | 罗莉,华明玲. 论赵元任对中国民族音乐创作的贡献[J]. 西南科技大学学报(哲学社会科学版), 2003, 20(1): 63-65 |
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| 作者姓名： | 罗莉 华明玲 |
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| 作者单位： | 内江师范学院音乐系，内江师范学院音乐系 四川内江 641112，四川内江 641112 |
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| 摘 要： | “五四”时期的音乐创作者大多主张“以西为师”,走“西化”的道路,对民族音乐持否定态度。而赵元任却熟悉和喜爱中国传统音乐,他强调借用西方作曲技术来提高和改进民族音乐,他的创作为中国民族音乐的发展奠定了基础。
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| 关 键 词： | 民族音乐 “中国派”曲调 “中国化”和声 |
| 文章编号： | 1007-7286(2003)01-0063-03 |
| 修稿时间： | 2002-11-13 |
Zhao Yuanren''''s Contribution to the Composition of Chinese Native Music |
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| Luo li,Hua Mingling. Zhao Yuanren''''s Contribution to the Composition of Chinese Native Music[J]. Journal of Southwest University of Science and Technology, 2003, 20(1): 63-65 |
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| Authors: | Luo li Hua Mingling |
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| Abstract: | Most composers during the period oi: the May 4th movement held that they should learn from the western method of composition and they objected to maintain traditional Chinese music. Yet ZhaoYuanren knew and appreciated the Chinese native music. He emphasized to apply the western composi-tion techniques to improvement the Chinese music. His thinking and method of composition is an important theory for the development of Chinese native music. |
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| Keywords: | traditional Chinese music melody of Chinese group Chinese harmony. |
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