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红山文化巫觋写实形象考述
引用本文:杨福瑞.红山文化巫觋写实形象考述[J].赤峰学院学报(汉文哲学社会科学版),2014(9):1-4.
作者姓名:杨福瑞
作者单位:赤峰学院历史文化学院,内蒙古赤峰024000
基金项目:本文为内蒙古社科基地专项课题:红山文化原始宗教形态研究成果之一(2013J145)
摘    要:分析、归纳已发现的红山文化人像雕塑的形态,对于科学理解红山文化原始宗教的发展状况有着十分重要的学术意义。红山文化的人像雕塑大都是写实的巫觋形象,主要分为全身雕塑和头像雕塑。全身雕塑又有站立、蹲踞和坐立之不同,但共同的特点是双手合于胸前做祈祷状。再从雕塑的面部表情分析,不同的神态反映了巫觋神事活动的不同阶段。

关 键 词:红山文化  巫觋  写实形象

Research of Witch Realistic Image in Hongshan Culture
Yang Furui.Research of Witch Realistic Image in Hongshan Culture[J].Journal of Chifeng College,2014(9):1-4.
Authors:Yang Furui
Institution:Yang Furui (Department of History and Culture, Chifeng University, Chifeng City, Inner Mongolia,024000)
Abstract:Pass of analysis and inductive already discovery about portrait sculpture form of Hongshan culture, have been found for scientific understanding the development condition of the primitive religion of Hongshan culture has very important academic significance. It's mostly realistic portrait sculpture witch im-age, mainly divided into body sculpture and head sculpture of Hongshan culture. Body sculpture have some different, such as standing, squatting and sit and stand, but the common feature is do praying hands for chest. From the facial expression analysis of the sculpture, the different expression reflects the different stages of the witch god's activity.
Keywords:Hongshan Culture  Witch  Realistic Image
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