小说《林海雪原》影视化研究

本文凭借第一手档案,以个案研究的方式,考察将近半个世纪以来,新中国红色经典小说影视化的过程,由此探讨共和国文艺体制的某些基本特点及其变化。20世纪五六十年代,电影是受众超过话剧与电视的“大众传媒”,其生产过程最重要的艺术与技术把关来自于电影厂领导部门的“自我审查”,电影剧本依赖于文人改编者的力量,而电影观众的反映则多有歧义。20世纪90年代以来,电视成为受众最广的大众传媒,而由红色经典改编的电视剧的失败,主要原因在于观众定位不准,不能满足老观众从老电影带来的期待视野,又不能对新观众构成足够的吸引力。

Studies on Film and TV of the Novel Forests and Snow

Based on the first-hand data,this paper surveys the process of films and TVs of Chinese red classical novels in the past 50 years.In the 1950s and 1960s films had more audience than drama and TV and their production comes from leaders' "self-examination" of film factories.Film scenarios mainly depended on the adapters,so audience often had different opinions.Since the 1990s TV has become the most widely watched medium.The failure of TV plays from Chinese red classical novels is that they cannot satisfy the demands of old viewers,nor can they attract new viewers.