大众文化批评及其价值取向

大众文化--这一原本属少数西方发达国家特有的文化现象，于20世纪90年代在中国异军突起后便迅速壮大为与来自官方的主流文化、来自学界的精英文化并驾齐驱、三足鼎立的社会主干性文化形态。它以各种形式和渠道渗透在社会日常生活中，并成为市民大众不可缺少的生活需求。由于这一现实完全溢出了原有的知识话语系统，应该承认，中国的大众文化研究及批评工作做得还很不够。一些研究者移植和挪用西方文化理论的视角和语言来解释中国的大众文化，同大众文化现实出现了严重错位，不能触及大众文化的实际和真相。因此，作者认为建立起适合于本土的科学的大众文化批评理论势在必行。

The Comment on the Public Culture and Orientation of Value

The public culture which used to be the exclusive cultural phenomenon in a few western developed countries, emerged abruptly in China in 1990s, standing side by side with both the main-stream culture which stemmed from the official and the essential culture which originated from academic field. Three of them are quickly becoming the three major social culture forms like the three-leg tripod. The public culture permeates into the social daily life, and becomes the indispensable necessity of life for the city crowds. As this reality has completely over flown out of the original knowledge linguistic system, we should admit that, the research and comment work on the public culture in china is not enough. Some researchers transplanted and applied mechanically the visual angle and language of the western cultural theory to explain China's public culture, which result in the serious dislocation with the public cultural reality, and can not cover the truth and actuality of the public culture. Therefore, the writer holds the idea that it is necessary to build up a scientific, indigenization-orientated comment theory of public culture.