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艺术的身体性本源——从身体出发解读尼采美学
引用本文:杨林.艺术的身体性本源——从身体出发解读尼采美学[J].湖北大学学报(哲学社会科学版),2008,35(2):42-45.
作者姓名:杨林
作者单位:武汉大学哲学学院,湖北,武汉,430072
摘    要:尼采文本中隐含着一条思想的道路,即从身体出发,在身体敞开的维度内思考问题。身体为我们透视尼采的美学提供了这样一个视角:尼采是从艺术家这一身体性的存在者出发思考艺术的本源,他在艺术家的陶醉状态中揭示出作为创造力意志的权力意志。权力意志作为艺术的本源是身体性的,具体表现为人类学、生理学和心理学三个方面。

关 键 词:尼采  身体  艺术  陶醉  权力意志
文章编号:1001-4799(2008)02-0042-04
修稿时间:2007年6月30日

The Physical Origin of Arts: Analysis on Nietzsche's Aesthetic Ideas from the Bodily Perspective
YANG Lin.The Physical Origin of Arts: Analysis on Nietzsche''''s Aesthetic Ideas from the Bodily Perspective[J].Journal of Hubei University(Philosophy and Social Sciences),2008,35(2):42-45.
Authors:YANG Lin
Abstract:Body could be regarded as the beginning of Nietzsche's aesthetics,which is the concealed way of thought in his texts.Nietzsche's aesthetics in the perspective of body have suggested itself that the artist who is his body provides a start point of art,because his intoxication disclose the nature of the will to power.The will to power in art,as the will to creating and the power to bestowing,could be explained anthropologically,physiologically and psychologically.Thus,art would be proved to have a bodily origin.
Keywords:Nietzsche  art  body  intoxication  the will to power
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