20世纪20年代东北现代散文空间

20世纪20年代的东北现代散文从整体倾向上建立了从独立的个性出发关注社会民生,实现对文学审美追求的路向。但由于发生期固有的稚嫩与生涩,新与旧之间种种的含混、交叉、往复都不同程度地存在,呈现出复合存在的形态。此期散文注重关于“我”的抒写,建立起“我”与社会的相关性向,体现出五四以来的对宗法集体主义价值观的疏离和现代性建设中的中国社会对自我、个性的发现、凸显与尊重。另一方面,又由“我”向社会发散,以此形成观察、表现社会生活的视角,这成为当时绝大多数散文作品的共同的文体特征。新旧文化、文学力量的交锋与消长在散文创作的技术层面也多有体现。

Space for Modern Essays in North-East China in 1920s

Holistically, modern essays in the north-east in the 1920s establish their independent peculiarities and pay attention to the people's livelihood. They also have their aesthetic pursuit. But because of their innate naivete and timidity, they can not avoid all kinds of ambiguity, overlapping and reciprocation between the old and the new. So they display a complex way of existence. During this period, writers focus on the writizng of "I", constructing an interrelatedness between "I" and the society. These essays show a detachment from collective values of the patriarchal society after the "May 4th Movement", and a discovery, emphasis and respect towards self and personality. On the other hand, from "I", there emerges a kind of point of view from which social life can be observed and expressed. This is the general style of that period and it also shows the confrontation and the growth and decline between old and new cultures and literary schools from the technological perspective.