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边缘的主流——对八、九十年代诗歌论争的一种阐释
引用本文:周志强,蒋述卓.边缘的主流——对八、九十年代诗歌论争的一种阐释[J].暨南学报,2008,30(2):88-93.
作者姓名:周志强  蒋述卓
作者单位:暨南大学文学院 广东广州510632
摘    要:在当代诗歌的历史叙述中,"朦胧诗"、"第三代"与"90年代诗歌"构成了八、九十年代诗歌的中心环节,关于它们的争论也是诗歌批评的最重要部分。悖论性的是,这些诗歌在其最活跃的阶段实际上在整个社会文化生态中处于非常边缘的位置,引起的批判最多,内部的差异和争论也最激烈。这是否隐含了当代诗歌一条隐秘的成规,争议越多,越不可回避,其地位也越稳固。

关 键 词:朦胧诗  第三代  90年代诗歌  论争
文章编号:1000-5072(2008)02-0088-06
修稿时间:2007年3月14日

Contemporary Poetry on Debating: A Review of Controversy about Poetry in the 1980s and 1990s
ZHOU Zhi-qiang,JIANG Shu-zhuo.Contemporary Poetry on Debating: A Review of Controversy about Poetry in the 1980s and 1990s[J].Journal of Jinan University,2008,30(2):88-93.
Authors:ZHOU Zhi-qiang  JIANG Shu-zhuo
Abstract:In the historical narration of contemporary poetry,the most important parts would be Menglong poetry,the Third Generation poetry and the poetry of 1990s.But it was paradoxical that,in their most active period,they were actually placed at the edge of social and cultural life because of various reasons and criticism by many people.And it was more surprised that the more differences and contradictions had in themselves,the more stable their place in poetry history would be.This paper reviewed has several poetry controversy and would improv the understanding and the reflection on contemporary poetry and criticism.
Keywords:Menglong Poetry  the Third Generation  the Poetry of 1990s  Controversy
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