| 绘画理论向抽象方式的探索与发展 |
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| 引用本文： | 张都爱.绘画理论向抽象方式的探索与发展[J].山西大学学报(哲学社会科学版),2001,24(2):98-101. |
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| 作者姓名： | 张都爱 |
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| 作者单位： | 山西大学,哲学系,山西太原,030006 |
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| 摘 要： | 西方现代艺术运动思潮的一个基本内容,就是对西方传统艺术以摹仿、再现客观自然现实为基础的艺术精神与理性认知为目的的写实美学原则的反动,其结果是完成了对客观自然物象的消除与解构;而解构和消除客观自然物象的过程,就是绘画理论和实践向抽象方式的探索与发展,其结果便是抽象绘画理论和美学精神的直接产生.文章着重梳理和探讨了西方现代绘画理论向抽象方式的探索与发展的内在原因和基本过程.
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| 关 键 词： | 艺术精神 写实 抽象 审美表现力 抽象形式 抽象绘画 |
| 文章编号： | 1000-5935(2001)02-0098-04 |
| 修稿时间： | 2000年9月29日 |
Exploration and Development of Artistic Theories in the Direction of Abstraction |
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| ZHANG Du-ai.Exploration and Development of Artistic Theories in the Direction of Abstraction[J].Journal of Shanxi University(Philosophy and Social Sciences Edition),2001,24(2):98-101. |
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| Authors: | ZHANG Du-ai |
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| Abstract: | ionism; abstract form; abstract art Abstract: One of the main aspects of modern western artistic trend is a reaction to the traditional artistic spirit based on imitation and representation of nature, and to the esthetic principle that aims at rational cognition. Hence the deconstruction of the objective nature, and exploration and development of artistic theory and practice in the direction of abstraction. The result is the emergence of abstractionist artistic theories and the corresponding esthetic spirit. The present essay is mainly a discussion of the internal cause and the basic process of such exploration and development of modern western artistic theory in the direction of abstraction. |
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| Keywords: | artistic spirit realism |
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