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改革开放30年电视艺术转向及北京电视人群体的作用
引用本文:王一川.改革开放30年电视艺术转向及北京电视人群体的作用[J].北京社会科学,2008(5).
作者姓名:王一川
作者单位:北京师范大学,艺术与传媒学院,北京,100875
摘    要:电视艺术是日常生活理性化的构型力量,它具有集体想象力和身体舒适度的特征,有助于公众的集体生活理性的构型。中国电视艺术30年来经历了三次转向:第一次转向以情润理,旨在建构精神主导的国家与集体生活理性;第二次转向以虚构理,建构物质引导的世俗与个人生活理性,北京电视人群体在这次转向中发挥了重要作用;第三次转向以趣化理,致力于身体感觉引导的日常生活理性的建构。

关 键 词:电视艺术  生活理性构型  转向

Television Art and Construction of Life Rationality:Television's Turns in the Age of Reform and Opening up
WANG Yi-chuan.Television Art and Construction of Life Rationality:Television's Turns in the Age of Reform and Opening up[J].Social Science of Beijing,2008(5).
Authors:WANG Yi-chuan
Abstract:Television art is a constructive power to rationalize everyday life,which helps to construct rationality of the public collective life by cultivating collective imagination and comforting the body.Chinese television art has undergone three turns of transformation during these thirty years: the characteristic of the first one is emotionalizing reason,which is to rationalize a national and collective life with the directing of spiritual and moral culture;the second one characterize itself by imagining reason,which is to rationalize a secular and personal life with the leading of material culture;the third one is fascinating reason,which is to rationalize everyday life with the leading of body culture.This is the function of television in the transformation of rationalizing daily life,among which the role of Beijing television producers is especially noteworthy.The secular trend of television art asks for emphasizing on the cultivation of public spiritual life and media literacy,and reflecting critically the television art itself.
Keywords:television art  construction of life rationality  turns
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