主流意识形态的伦理化表达——十七年（1949—1966）和“文革”（1966—1976）时期中国改编电影研究

本文从电影改编的角度考察十七年(1949-1966)和"文革"(1966-1976)时期中国电影如何对主流意识形态进行伦理化的表达:将政治上的敌人定义为伦理上的坏人(小人);用伦理的切肤之痛激起个体的"阶级仇恨";将革命的意义置换为伦理上的抚慰.同时指出,中国电影在伦理化表达上成功或失败的例子,对今后中国电影创作如何在思想主题的融注、艺术上的探索及观景愉悦的营造上实现完美的结合,有着重要的警示和启示意义.

The Ethical Expression for the Mainstream Ideology——On the Adaptation Movies in Seventeen Period(1949-1966) and the Cultural Revolution Period(1966-1976)

This dissertation wants to study the ethical expression for the mainstream ideology in the seventeen period(1949-1966) and the cultural revolution period(1966-1976) on the viewpoint of the adaptation: looks on the political enemy as the ethical flunky,activizes the class enmity from the ethical pains,replaces the meaning of the revolution by the ethical appeasement.Besides,the success or failure of the ethical expression for the mainstream ideology in Chinese movie history will inspire the directors how to find the balance among the expression of political themes,the probe into the art and the success of the commerce.