| 扬州八怪其人其画-中国画的继承和发展 |
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| 引用本文： | 张俊来.扬州八怪其人其画-中国画的继承和发展[J].河北理工大学学报(社会科学版),2003,3(Z1):94-95. |
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| 作者姓名： | 张俊来 |
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| 作者单位： | 河北理工学院,轻工分院,河北,唐山,063020 |
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| 摘 要： | 人类步入了新世纪,为了把中国画向更高领域推进,有必要对被历史尘封的优秀传统中国画进行重新审视.清代扬州八怪高扬创新旗帜,注重人品与书画的统一,大胆探索"自立门户",注重艺术的全面修养,对中国画的发展曾产生了巨大的推动力.
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| 关 键 词： | 中国画 扬州八怪 理论研究 |
| 文章编号： | 1671-1068(2003)s0-0094-02 |
| 修稿时间： | 2003年3月10日 |
Discussion on the inheritance and development of Chinese paintings by appreciating the eight odd painters in Yangzhou and their works |
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| ZHANG Jun-lai.Discussion on the inheritance and development of Chinese paintings by appreciating the eight odd painters in Yangzhou and their works[J].Journal of Hebei Polytechnic University(Social Science Edition),2003,3(Z1):94-95. |
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| Authors: | ZHANG Jun-lai |
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| Abstract: | We have entered 21st century. It is necessary to reexamine the excellent traditional Chinese paintings which were covered with dust in long history. In Qing Dynasty,the eight odd painters in Yangzhou in ancient times held high flag of bring forth new ideas. They laid stress on the unity of personal character and paintings, they were bold in blazing new trails,they had their own style in painting and calligraphy,and they paid attention to all-round accomplishments on art. It was ever a great driving force to the development of traditional Chinese painting. |
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| Keywords: | Chinese painting the eight odd painters in Yangzhou theoretical research |
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