| 真性、趣味与寄托——试探《聊斋志异》与“童心说”之关系 |
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| 引用本文： | 何敏怡.真性、趣味与寄托——试探《聊斋志异》与“童心说”之关系[J].佛山科学技术学院学报(社会科学版),2009,27(6):46-49. |
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| 作者姓名： | 何敏怡 |
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| 作者单位： | 佛山科学技术学院,基础教育系,广东,佛山,528000 |
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| 摘 要： | 清初的《聊斋志异》是一部广受欢迎的小说集。作者蒲松龄在创作理念上与明代后期被统治者视为＂异端＂的思想家、文学评论家李贽的＂童心说＂理论有不少契合之处,主要表现在注重真性情、重趣味、重寄托等方面。说明深受晚明启蒙思潮影响,尤其是心学理论的熏陶。
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| 关 键 词： | 《聊斋志异》 李贽 童心说 真性情 |
A Study of the Relationship between Strange Tales from a Lonely Studio And Childlike Innocence |
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| HE Min-yi.A Study of the Relationship between Strange Tales from a Lonely Studio And Childlike Innocence[J].Journal of Foshan University(Social Science),2009,27(6):46-49. |
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| Authors: | HE Min-yi |
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| Institution: | HE Min-yi(Department of Elementary Education,Foshan University,Foshan 528000,China) |
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| Abstract: | Strange Tales from a Lonely Studio by Pu Songling is a very popular collection of stories published in the early Qing Dynasty.The idea of literary creation in these stories is in good agreement with the theory ofchildlike innocenceheld by Li Zhi,who is taken as a heretical thinker and literary critic by the rulers of the late Ming Dynasty.Such agreement lies so much in their emphasis on true feelings,good taste and rational refuge,which deserve our deliberation. |
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| Keywords: | Strange Tales of a Lonely Studio Li Zhi childlike innocence true feelings |
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