| 略论张炎词学理论的诗化倾向与对词体本质特征的把握 |
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| 引用本文： | 李康.略论张炎词学理论的诗化倾向与对词体本质特征的把握[J].求是学刊,2008,35(6). |
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| 作者姓名： | 李康 |
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| 作者单位： | 哈尔滨师范大学文学院,黑龙江,哈尔滨,150080 |
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| 摘 要： | 宋词的总体发展过程存在着"明修栈道"和"暗度陈仓"两种不同方式的诗化倾向。张炎在坚持并肯定词的音乐性、写意性和传统婉约词深婉曲折特质的基础上,自觉、全面地建构了以"清空"和"雅正"为核心的词学理论体系,把"暗度陈仓"式的词的诗化推进到一个新的阶段。这是一种诗化倾向的词学理论,而不是将词变为诗的诗学观念。
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| 关 键 词： | 张炎 词学理论 诗化倾向 词体特征 |
On the Poetic Tendency of HANG Yan's Theory of Ci and the Mastery of the Essential Feature of the Style of Ci |
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| LI Kang.On the Poetic Tendency of HANG Yan's Theory of Ci and the Mastery of the Essential Feature of the Style of Ci[J].Seeking Truth,2008,35(6). |
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| Authors: | LI Kang |
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| Abstract: | The complete development of Song Ci demonstrates two different poetic tendency which "pretends to prepare to advance along one path while secretly going another". ZHANG Yan sticks to and affirms musicality, abstractness and complications of Ci and he constructs his theoretical system of Ci spontaneously and completely based on the concepts of "void" and "elegance" which propels the "secret purpose of certain poetic writing" onto a new stage. This is a poeticized theory of Ci, but not a poetic concept which turns Ci into poetry. |
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| Keywords: | ZHANG Yan theory of Ci poeticization features of the style of Ci |
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