首页 | 本学科首页   官方微博 | 高级检索  
     

东西方复调音乐的表现手法论析
引用本文:杨虎. 东西方复调音乐的表现手法论析[J]. 甘肃联合大学学报(社会科学版), 2008, 24(3): 53-55
作者姓名:杨虎
作者单位:甘肃联合大学,艺术学院,甘肃,兰州,730000
摘    要:在古今中外的音乐文献中,复调作为多声音乐的一种写作思维和表现技巧,一方面它常常与主调音乐组织体相互渗透,呈现出灵活,多样的形态;另一方面它又具有相对的独立性,可用复调音乐形式和各种表现手法谱成独立的音乐作品,虽然我国音乐专业中的复调理论体系是从西方传入的,但是我们在进行复调音乐分析时,却不能不涉及我国传统音乐中蕴涵丰富的复调音乐形态。本文通过对比来认识东西方复调音乐的技术理论以及表现手法与各自的发展。

关 键 词:复调音乐  对位法  多声部音乐
文章编号:1672-707X(2008)03-0053-03
修稿时间:2008-02-27

An Understanding on Different Techniques of Expression Used in Western Polyphony and Eastern Polyphony
YANG Hu. An Understanding on Different Techniques of Expression Used in Western Polyphony and Eastern Polyphony[J]. Journal of Gansu Lianhe University:Social Sciences, 2008, 24(3): 53-55
Authors:YANG Hu
Abstract:Described as a creating approach and a expressing technique in the foreign and Chinese music documents,the polyphony,while coordinates actively and in diversified forms with the homophony,maintains its independence which is justified in some music works using the polyphony singularly as their music paten and expressing technique.Although the theory system of polyphony is transformed into China from the west,its study and analysis has to be made in connections with a variety of polyphony forms in Chinese traditional music.And a comparison of the polyphony in the west and that in the east is necessary in the study of the technical theories and the developments and expressing techniques of each.
Keywords:polyphony  counterpoint  multi-part music  
本文献已被 CNKI 维普 万方数据 等数据库收录!
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号