关于书法创作中的取象

书法家把从大自然中获得的美感，概括曲折地反映到书法创作中来，使其作品纵横有象，物象生动，从而形成自己的书法风格，这就是书法创作中的取象。书法取象有一定的概括性和寄托性。取象是产生书法意境的先决条件，它决定书法作品的格调。书法创作不仅要通过观察和领悟的途径，还必须运用形象思维，形象思维在书法创作中的主要表现是联想和想象。

Focusnature Object of Calligraphy

A calligrapher draws out inspiration horn nature and then he puts it into his calligraphic creation in general and complex way to make his work more lively , thus he forms his own style So we can say this is the focusnature object of cal- ligraphy. It has some coverage and independent with the pre- condition of calligraphic mcxExl and it decidea the work style We should not only observe and comprehend , but also take use of objective imagination during the course of calligraphic cre- ation. Objective imagination depends on legend and imagina- tion.