论少数民族文学进入文学史的“隔”与“不隔”

少数民族文学能否进入文学史是当下一些文学史学家关注的问题.以往的中国现当代文学中少数民族文学处于可有可无的边缘位置.究其因最根本的是少数民族文学与汉族文学之间存在的"隔"与"不隔"现象."不隔"是共通性,"隔"是在语言通畅表层意思"不隔"基础上存在的对作品深层意义的理解和把握上不可深进的精神状态.当纯粹的少数民族文学作品进入汉文学史时以汉文化视角去阐释就会出现深度理解上的"隔"现象,从而造成文学史编撰上的难度.

Estrangement and Unstrangement of Minority Literature in the History of Literature

Whether the minority literature can enter the history of literature or not is what some modern literal historians pay much attention. Previously, the minority literature plays an unimportant role in China's modern and contemporary literature because there exists a phenomenon of estrangement and unestrangement between them. The unestrangement means commonness, and the estrangement refers to the spirit state of the deep meaning of the works which is difficult to understand. When minority literature enters the history of Han literature, people would explain from the perspective of Han culture. Then, it causes the phenomenon of estrangement which makes the edition of literal history difficult.