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论解放区话剧创作的民族化大众化
引用本文:张鸿才. 论解放区话剧创作的民族化大众化[J]. 西北第二民族学院学报, 2004, 0(1): 125-129
作者姓名:张鸿才
作者单位:西北第二民族学院中文系 宁夏银川750021
摘    要:工农兵群众在解放区话剧创作中的决定性地位,主要表现在文艺工作者对待他们的态度,和他们对文艺工作者话剧创作的影响上,也表现在工农兵群众话剧创作的不断发展上。表现工农兵群众火热的斗争生活和他们的思想感情,成为解放区话剧"压倒一切"的题材内容。声势浩大的解放区话剧运动,体现了话剧题材领域一次历史性的变革。在艺术形式上,解放区话剧努力适应工农兵群众的欣赏特点,艺术结构上来了一个戏曲化。以简短朴素、平易自然的语言见长,充满浓郁的生活气息。

关 键 词:解放区话剧创作  民族化大众化  工农兵群众  艺术形式
文章编号:1008-2883(2004)01-0125-05
修稿时间:2003-09-12

On the Nationalization and Popularization of the Stage Play in the Liberated Area
ZHANG Hong-cai. On the Nationalization and Popularization of the Stage Play in the Liberated Area[J]. Journal of The Second Northwest Institute For Ethnic Minorities(Philosophy and Social Science), 2004, 0(1): 125-129
Authors:ZHANG Hong-cai
Abstract:The decisive role of the workers,peasants and soldiers in the writing of stage plays of the liberatel area was mainly manifested in the attitude of the literary workers towards them and their influence over the literary workers.It was also shown in the role of the workers,peasants and soldiers,reflecting the struggle and feedings,thus became the "prevailing theme".This movement mirrored the historical revolution.In literary form,the plays tried to suit the tastes of the workers,farmers and soldiers.In structure,it went through a dramatization.The language was simple,natural and full of life.
Keywords:stage play writing of the liberated areas  popularization and nationalization  workers  peasants and soldiers  literary form
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