立足于文学本位的审美批评——沈从文1930年代的作家论研究

在1930年代多以阶级的意识形态评判创作者的作家论写作氛围里，沈从文立足于文学本位的批评立场撰写的、试图让批评回到文学自身的作家论，以把握作品风格与作家人格的感悟印象式的批评文本，不仅在一定程度上弥补了主流批评相对忽视文学独立性的缺憾，而且批评者尊重自我文学感受和维护文学本体性的批评文本，在表现批评主体独具特色的批评个性的同时，亦体现出在1930年代的特殊时空语境中，注重文学审美特性的作家批评的可能性。

The Aesthetic Criticism Based on Literature-centered Standard——Shen Congwen's Writer Criticism in 1930s

In 1930s when writings teemed with the writer criticism by class ideology, Shen Cong- wen adhered to the literature - centered standard, highlighting that writer criticism should be focused on the style of literary works and the personality of the writer. His endeavors made up the gap in the mainstream criticism that somehow neglect- ed the independence of literature. The critical texts as Shen＇ s respected self experiences of literary works and preserved the noumenon of literature, which revealed that writer criticism highlighting literary aesthetics was possible even in the special context of 1930s.