霜叶红于二月花--评茅盾小说<霜叶红似二月花>

深入考察<霜叶红似二月花>初作与续稿,其已有的主题评价,阶级冲突的主题说应予否定,婉卿才是这部小说的主人公,茅盾正是借这一人物开始了他对传统民族文化的重新思考儒道墨三家互补的理想人格模式.这也呈现了茅盾从40年代到70年代两次创作中文化心理的转变.同样,婉卿身上也体现了茅盾审美理想中对真、善、美三者的极致崇尚而导致的失真;同时也可看出茅盾对前期理性思维模式的反驳.

Comment on Frostleaves More Gorgeous than Flowers in February,a Novel Witten by MaoDun

With the theme of the first draft of FOrstleaves More Gorgeous than Flowers in Febuary and its continuation as the logical starting-point, this is an attempt to make a particular analysis with the focus on regarding WanQin as the real heroine who makes MaoDun start to reconsider the tradition of Chinese culture - the ideal that three schools, including Confucianists, Mohists and Taoists, are complementary to one another. The article reveals MaoDun's change in cultural psychology in creating his nov- els for 30 years. From the character,WanQin, MaoDun's aesthetic ideal can be found to his extreme in advocating genuineness.kindness and beauty, which in turn leads to distortion; we can also find that in his early works MaoDun refutes the rational mode of thinking.