留园假山的历史成因及现状分析

山与水是人类赖以生存的物质基础，也是自然界中最富魅力的基本景观。我国把山水作为审美对象由来已久，至秦汉时出现的“一池三山”成了后代帝王御苑的滥觞，同时也开创了中国造园史上堆叠假山的先河。至明、清，在园林中叠石为山已成了世所共趋的风气，而留园自明代以来的数代园主都是以掇山置石而构成其独特的园林景观的。本文以留园假山为范本，分析了明清园林假山的类型与布局。

Causes and Status Quo Analysis of Rockeries in Lingering Garden

Being and river＂ has appeared in Qi the material base for human survival and the most charming landscapes in nature, ＂mountain long been taken as an aesthetic object in Chinese history. The practice of ＂one pond, three hills＂ n and Han Dynasties was followed by the succeeding periods and dynasties in building royal gardens, and in the meantime it has set a precedent for the stacking of rockeries in the history of Chinese garden construction. By the time of Ming and Qing dynasties, it had become a popular trend of style in garden design. Since Ming Dynasty, generations of the owners of the Lingering Garden paid attention to the establishment of artistic exquisiteness and uniqueness of the Garden with stones and rockeries. This paper, taking the Lingering Garden as an example, analyzes the patterns and layouts of gardens of Ming and Qing Dynasties.