| 写实主义背景的《小说月报》与影视互动 |
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| 引用本文： | 周根红. 写实主义背景的《小说月报》与影视互动[J]. 重庆社会科学, 2012, 0(4): 82-86 |
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| 作者姓名： | 周根红 |
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| 作者单位： | 南京财经大学新闻学院 |
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| 基金项目： | 国家社会科学基金青年项目“新时期文学的影像诉求与价值分化研究”(批准号:11CZW063);国家社会科学基金项目“文学史视野中的中国当代文学期刊研究”(批准号:10BZW098) |
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| 摘 要： | 《小说月报》始终坚持现实主义道路，成为20世纪90年代以来影视改编的重镇，引发了新写实影视浪潮。步入21世纪，《小说月报》在坚守写实主义审美风格的同时，创办了《小说月报·原创版》和《小说月报·长篇小说增刊》，进一步强化了自身的市场地位和品牌优势，同时也成为电视剧改编的资源库。
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| 关 键 词： | 写实主义 《小说月报》 影视互动 大众文化 |
The Realism View of "Fiction Monthly Magazine" and the Interaction with TV & Film |
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| Zhou Genhong. The Realism View of "Fiction Monthly Magazine" and the Interaction with TV & Film[J]. Chongqing Social Sciences, 2012, 0(4): 82-86 |
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| Authors: | Zhou Genhong |
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| Affiliation: | Zhou Genhong |
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| Abstract: | "Fiction Monthly Magazine" has always insisted on the road of realism,and becomes the platform of film adaptation since 1990s,triggering a new wave of Neo-Realism film.In the new century,"Fiction Monthly Magazine" stick to realism and found the "Fiction Monthly Magazine(Original Edition)" and "Fiction Monthly Magazine(Novel Edition)",which strengthen its market position and brand,but also the resource library of adaptation in TV-play. |
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| Keywords: | realism Fiction Monthly Magazine interaction with TV & film the popular culture |
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