| 试论道家之“道”的审美特征 |
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| 引用本文： | 王哲平. 试论道家之“道”的审美特征[J]. 南昌大学学报(人文社会科学版), 2001, 32(4): 100-106 |
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| 作者姓名： | 王哲平 |
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| 作者单位： | 南昌大学 文学院,江西 南昌 330047 |
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| 摘 要： | “道”是中国古典美学的元范畴 ,其语源学根据源自《老子》。以老子、庄子为代表的道家 ,通常将“道”视为“无为”、“无己”的自然之道 ,主张从无形观察“道”的美妙、从有形的变化观察“道”的界限 ,从而使道家之“道”呈显出素朴、变易、博大、玄妙四个审美特征
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| 关 键 词： | 道家 美学范畴 道 审美特征 素朴 交易 博大 玄妙 |
| 文章编号： | 1006-0448(2001)04-0100-07 |
| 修稿时间： | 2001-04-08 |
On the Aesthetical Features of Taoist "Tao |
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| WANG Zhe-ping. On the Aesthetical Features of Taoist "Tao[J]. Journal of Nanchang University(Humanities and Social Sciences), 2001, 32(4): 100-106 |
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| Authors: | WANG Zhe-ping |
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| Abstract: | Tao,whose etymon originated from Lao Zi,belongs to the primary category of the classical Chinese aesthetics.Taoism,whose representative figures were Lao Zi and Zhuang Zi,usually regards Tao as the Way of Nature,advocating "letting things take their own course" and "being oblivious to the self".It maintains that Taoist beauties can only be appreciated in a state of emptiness and Taoist boundaries can be observed from the physical presence,thus revealing Taoist four aesthetical features:austerity,changeability,broadness and profundity. |
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| Keywords: | Taoist aesthetical category Tao aesthetical features austerity changeability broadness profundity |
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