| 汉魏六朝琴赋的音乐美学思想 |
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| 引用本文： | 万志全. 汉魏六朝琴赋的音乐美学思想[J]. 山东师范大学学报(人文社会科学版), 2009, 54(5): 63-66 |
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| 作者姓名： | 万志全 |
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| 作者单位： | 赣南师范学院文学与新闻传播学院,江西,赣州,341000 |
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| 摘 要： | 目前对汉魏六朝的琴赋音乐美学思想之研究尚未充分展开。在这一时期十三篇琴赋的飞扬文采之中，包含着一些音乐美学思想，从中可以窥见汉魏六朝之际器乐审美思潮之概况，即材料选用与制作的“梧桐天性美”、演奏过程的“潇洒风度美”、赏析过程的“渐入佳境美”、艺术效果的“怡心养性美”、艺术感染力的“众物乐其美”等五大音乐美学风貌。
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| 关 键 词： | 汉魏六朝琴赋 音乐美学思想 材料美 演奏美 赏析美 效果美 感染力度美 |
The musical aesthetic ideology of odes from Han to Jin Dynasties |
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| Wan zhiquan. The musical aesthetic ideology of odes from Han to Jin Dynasties[J]. Journal of Shandong Teachers' University(Social Science Edition), 2009, 54(5): 63-66 |
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| Authors: | Wan zhiquan |
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| Affiliation: | Wan zhi - quart (School of Literature and Journalism, Gannan normal university, Ganzhou 341000, China) |
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| Abstract: | At present, the research, which is on the musical aesthetic ideology embodied in the musical instrument and odes from Han to Jin Dynasties, has not been fully carried out. During this period, these very thirteen pieces of odes contain certain musical aesthetic ideology elements, which mirrors the overview of people＇s taste to instnanental music, that is, the born - beauty of phoenix tree in material selection and fabrication; beauty of ease and grace in giving the intnanental performance;processive beauty in odes appreciating; beauty of heart - pleasing and personality - developing in the artistic effects;beauty of universal resonance in artistic appeal. Thus, the odes in this period have reflected the above five main styles and features on musical aesthetic ideology. |
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| Keywords: | odes musical aesthetic ideology material beauty performance beauty appreciation beauty artistic - effect beauty artistic - appeal beauty |
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