| 撼人心魄的怜悯恐惧与催人泪下的悲伤哀怨——中西悲剧精神的审美风格之一 |
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| 引用本文： | 马小朝.撼人心魄的怜悯恐惧与催人泪下的悲伤哀怨——中西悲剧精神的审美风格之一[J].山东师范大学学报(人文社会科学版),2009,54(1):46-52. |
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| 作者姓名： | 马小朝 |
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| 作者单位： | 烟台大学,人文学院,山东,烟台,264005 |
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| 摘 要： | 西方文学悲剧精神的审美风格之一，表现为怜悯恐惧。怜悯恐惧源自西方人对历史公然蹂躏人伦的心灵痛苦。中国文学悲剧精神的审美风格表现为悲伤哀怨。悲伤哀怨源自中国人对人与自然、个人与社会矛盾关系的肉体磨难。中国文学的悲剧精神始终不渝地担当着以情动人、以理喻人的道德教化使命，始终怀抱着劝诫人心、实现社会互助互爱、和谐温馨的道德理想，始终坚守着人道必上通天道、天人合一的宇宙、社会终极理想。因此，中国悲剧精神审美风格的主旋律，始终是悲伤哀怨而不是怜悯恐惧。
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| 关 键 词： | 审美风格 怜悯恐惧 心灵痛苦 悲伤哀怨 肉体磨难 |
The Shocking Terror in Sympathy and the Tearful Sadness in Pain:On the Aesthetical Style of the Tragic Spirit in Chinese and Western Literatures |
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| Ma Xiaochao.The Shocking Terror in Sympathy and the Tearful Sadness in Pain:On the Aesthetical Style of the Tragic Spirit in Chinese and Western Literatures[J].Journal of Shandong Teachers' University(Social Science Edition),2009,54(1):46-52. |
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| Authors: | Ma Xiaochao |
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| Institution: | Department of Chinese Literature and Art;Yantai University;Yantai;Shandong 264005 |
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| Abstract: | On the one hand,the aesthetical style of the tragic spirit in Western literature is presented as the terror in sympathy brought about by the mental agony as a result of the ravage of ethical principles by history whereas that in Chinese literature,as the sadness in pain given birth to by the bodily sufferings of the contradiction between man and nature,the individual and society on the other. |
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| Keywords: | aesthetical style terror in sympathy mental agony sadness in pain bodily sufferings |
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