| 传神论：中国画的创作意象和造形法则 |
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| 引用本文： | 邹晓.传神论：中国画的创作意象和造形法则[J].汕头大学学报(人文社会科学版),1996(6). |
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| 作者姓名： | 邹晓 |
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| 作者单位： | 汕头大学艺术学院 |
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| 摘 要： | 本文论述了传神在中国绘画美学中的重要位置，“神”是包括绘画在内的中国艺术精神的核心，并阐述了在传神的原则提导下，中国人物画的艺术特点和创作方法
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| 关 键 词： | 传神 中国画 意象 变形 |
Theory of true spirit conveyance:rules that govern image building and form shaping in Chinese ink and wash painting |
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| Zou Xiao.Theory of true spirit conveyance:rules that govern image building and form shaping in Chinese ink and wash painting[J].Journal of Shantou University(Humanities Edition),1996(6). |
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| Authors: | Zou Xiao |
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| Abstract: | This article expounds the important position occupied by true spirit conveyance in Chinese ink and wash painting esthetics,designates true spirit as the very core of artistic spirir of Chinese painting in particular and Chinese arts in general,and elucidates the arristic characteristics and creation formulas of Chinese figure painting under the guidance of the principle of true spirit conveyance. |
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| Keywords: | true spirit conveyance Chinese ink and wash painting image form changing |
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