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40年代解放区报告文学发展概论
引用本文:阎立峰.40年代解放区报告文学发展概论[J].西北大学学报(哲学社会科学版),2001,31(1):117-121.
作者姓名:阎立峰
作者单位:南京大学 中文系,
摘    要:报告文学自“五四”诞生以来,其发展进程就始终处于时代与文化变革大潮的裹胁之中,带有“在野”艺术的鲜明印记。在40年代中国文化转型大背景下孕育而出的解放区报告文学,则以其别样的风貌与基调,呈现出时代精神对报告文学文体规范的整合与重构,预示着报告文学将从身处“江湖”而居身“庙堂”,最终完成由既定秩序的批评者向维护者的角色转换的全过程。

关 键 词:报告文学  解放区  文化转型
文章编号:1000-2731(2001)01-0117-05
修稿时间:2000年3月1日

On the Reportage of the Liberated Areas in the 1940s
YAN Li-feng.On the Reportage of the Liberated Areas in the 1940s[J].Journal of Northwest University(Philosophy and Social Sciences Edition),2001,31(1):117-121.
Authors:YAN Li-feng
Abstract:Born in the May 4th Movement of 1919, reportage, as a nongovernmental art, has been influenced by the tides of times and cultural movements. Under the backgroud of Chinese cultural transformation in the 1940s, the liberated areas′ reportage is reconstructed by the spirits of the day and presents several qualities different from the past, which indicates reportage's change from "civilian" to "aristocrat" and its transformation from the critic of established order to its defender in the end.
Keywords:Reportage  The Liberated Areas  Cultural transformation
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