| 论儒家人生美学之审美自由域 |
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| 引用本文： | 李天道.论儒家人生美学之审美自由域[J].青海民族学院学报(社会科学版),2010,36(1):82-87. |
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| 作者姓名： | 李天道 |
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| 作者单位： | 四川师范大学,四川成都610068 |
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| 摘 要： | 中国古代儒、道、释美学都很重视心灵自由问题,都是从＂存在＂的意义上解释心的,其构成境域就是心的存在方式或存在状态,并且从重视人生出发,都强调个体自身生命意识的培养。就儒家美学而言,无论是＂孔颜乐处＂还是＂曾点气象＂,都表现出一种对自身生命意识的充分肯定,以及在此基础上珍惜生命、体味生命的审美意趣,其人生境域与审美境域的构成则都是心灵的自由和升华。
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| 关 键 词： | 儒家美学 孔颜乐处 曾点气象 心灵自由 |
In Terms of Aesthetic Freedom Field in Life Aesthetics of Confucianism |
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| LITian-dao.In Terms of Aesthetic Freedom Field in Life Aesthetics of Confucianism[J].Journal of Qinghal Nationalities Institute(Social Sciences),2010,36(1):82-87. |
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| Authors: | LITian-dao |
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| Institution: | LI+Tian-dao |
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| Abstract: | the aesthetics of Confucian,Taoism,Chtoch,in Chinese antiquity that all attach importance to the freedom in heart.That explain the heart all from Being.That composing field is mode of being and states of being that of the heart.Also,from pay attention to the life,they accent culture of the consciousness of life with personality.In term of Confucian aesthetics,both from enjoyment live together or add the scene,they put up a plenty affirm to the consciousness of oneself life,and the aesthetics interst that is... |
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| Keywords: | Confucian aesthetics enjoyment live together add the scene freedom of heart |
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