| 论对比原则在《聊斋志异》中的运用 |
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| 引用本文： | 杨海波.论对比原则在《聊斋志异》中的运用[J].甘肃联合大学学报(社会科学版),2011,27(2):43-46. |
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| 作者姓名： | 杨海波 |
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| 作者单位： | 陇东学院文学院,甘肃庆阳,745000 |
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| 摘 要： | 对比作为一种美学原则、一种艺术构思,可以从不同角度、不同层面对其进行考察分析。本文主要从整体对比、前后对比、正反对比、多重对比、主次对比、平行对比等几个方面对对比原则在《聊斋志异》中的运用进行了简要分析。
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| 关 键 词： | 对比原则 聊斋志异 美学原则 艺术构思 |
Simple Comment on the Application of Contrast Principle in Strange Tales from a Lonely Studio |
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| YANG Hai-bo.Simple Comment on the Application of Contrast Principle in Strange Tales from a Lonely Studio[J].Journal of Gansu Lianhe University:Social Sciences,2011,27(2):43-46. |
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| Authors: | YANG Hai-bo |
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| Institution: | YAMG Hai-bo(Department of Chinese Language and Literature,Longdong University,Qingyang 745000,China) |
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| Abstract: | As an artistic principle and an artistic medium,contrast principle can be inspected and analyzed from different angles and layers,such as overall contrast,contrast between the front and the behind,contrast between the positive and the negative,multi-contrasting,contrast between the primary and the secondary,and parallel contrast,and so on.The paper is to simply inspect and analyze the application of contrast principle in Strange Tales from a Lonely Studio in the above-mentioned ways. |
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| Keywords: | contrast principle Strange Tales from a Lonely Studio artistic principle artistic medium |
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