浅谈《扶桑》的叙事艺术 |
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引用本文: | 庄丽.浅谈《扶桑》的叙事艺术[J].长春工程学院学报(社会科学版),2016,17(1). |
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作者姓名: | 庄丽 |
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作者单位: | 华中师范大学文学院,武汉,430079 |
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摘 要: | 严歌苓的小说《扶桑》令人着迷,并非因为小说故事本身,而是由该小说的叙事艺术造就的,这主要表现在以下三个方面:以第三人称为主、第一和第二人称为辅的多种人称复合叙事;蒙太奇式叙事———场面拼接叙述和特写镜头式叙事;以刻意多次暴露创作痕迹的元叙事追求历史化叙事。
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关 键 词: | 严歌苓 《扶桑》 叙事艺术 |
Analysis on narrative art of Fu Sang |
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Abstract: | Fu Sang,a novel written by Yan Geling,attributes its fascination to its narrative art rather than the story itself.It is mainly represented in following three aspects:First,multiple person compounded narration gives priority to the third person with the supplement of the first and second person.Second,montage style narration means a com-bination of scenes,narration and close-up views.Third,meta-narration characterized by deliberate exposure of the traces of creation pursues historical narration. |
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Keywords: | Yan Geling Fu Sang narrative art |
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