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用手想象
引用本文:崔育斌. 用手想象[J]. 深圳大学学报(人文社会科学版), 2005, 22(2): 112-115
作者姓名:崔育斌
作者单位:深圳大学艺术与设计学院,广东,深圳,518060
摘    要:“用手想象”这一创作方法,是当代绘画在与机器图象的竞争中,为自己找到的新的立足点和出发点。当代哲学思潮的身体转向为这一方法提供了思想基础和理论依据。它是对画家身体在绘画中的重要作用的发现,是绘画向身体的转向;它珍视偶然性,拓展视觉经验,开发右脑的造型、想象和创造潜能。“用手想象”不仅对绘画艺术意义重大,而且对其他实践活动,同样具有启发意义和实用价值。

关 键 词:用手想象  身体转向  图象  绘画
文章编号:1000-260X(2005)02-0112-04
修稿时间:2004-12-15

Using the Hand for Imagination
CUI Yu-bin. Using the Hand for Imagination[J]. Journal of Shenzhen University(Humanities & Social Sciences), 2005, 22(2): 112-115
Authors:CUI Yu-bin
Abstract:Using the hand for imagination is a creative method which modern painting has established as a foothold and a starting point in the competition with machinery graphics. The physical turn in contemporary philosophy provides theoretical basis for the method. It is a discovery of the important role the painter's body plays in painting. It values coincidence, broadens visual experienceand develops the modeling, imagination and creative potential of the right brain. Using the hand for imagination is not only of important significance to painting but also to other creative activities.
Keywords:using the hand for imagination  the physical turn  graphics  painting  
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