| 人与世界的和谐乐章——论17世纪法国新古典主义文学的价值取向 |
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| 引用本文： | 武跃速. 人与世界的和谐乐章——论17世纪法国新古典主义文学的价值取向[J]. 江南大学学报(人文社会科学版), 2007, 6(2): 79-82 |
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| 作者姓名： | 武跃速 |
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| 作者单位： | 江南大学,文学院,江苏,无锡,214122 |
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| 摘 要： | 文章立足于人与世界关系的维度,分析了17世纪法国新古典主义文学的理性价值立场及其艺术得失。从人的主体性来看,它是对文艺复兴时期人性狂欢的一种矫正,同时也是西方文学史上一次别具一格的人的退却。高乃依、拉辛、莫里哀,用悲剧和喜剧的方式,在一个特定的背景上,共同谱写了一曲人与世界的和谐乐章。
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| 关 键 词： | 法国古典主义 人与世界 和谐 |
| 文章编号： | 1671-6973(2007)02-0079-04 |
| 修稿时间： | 2006-08-29 |
Harmonious Melody of Man and World——On the Attitudes of Value of French Neo-classical Literature in the 17th century |
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| Wu Yue-su. Harmonious Melody of Man and World——On the Attitudes of Value of French Neo-classical Literature in the 17th century[J]. Journal of Southern Yangtze University:Humanities & Social Sciences Edition, 2007, 6(2): 79-82 |
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| Authors: | Wu Yue-su |
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| Abstract: | This essay tries to analyze the attitude of the rational value of neo-classical literature in the 17th century in French based on the relationship between man and the world.From the perspective of the human subject,this is a modification of human revelry in the Renaissance and a peculiar return of human in the literary history of the west.Gorneille,Racine and Moliera composed a harmonious melody in tragedy and comedy under their special circumstances. |
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| Keywords: | French Neoclassicism man and world harmonious |
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