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试论11~13世纪卫藏佛教艺术中的有关波罗艺术风格
引用本文:英卫峰.试论11~13世纪卫藏佛教艺术中的有关波罗艺术风格[J].西藏研究,2008(4):34-41.
作者姓名:英卫峰
作者单位:西北大学文博学院,陕西,西安,710069
摘    要:11~13世纪卫藏与波罗艺术有关的佛教艺术明显存在两种风格:一是波罗艺术风格,这种艺术风格受到东印度波罗王朝佛教艺术的影响,可能在"前弘期"就已经存在,并且于"后弘期"初期再次进入卫藏,传入的路线也许不只一条,这种艺术风格一直延续到13世纪初期;另一种艺术风格形成于卫藏地区,主要受到西域、中亚佛教艺术的影响,被称为中亚--波罗风格,是通过于阗的艺术家或者是在来自中亚的艺术家的参与下完成的,在其传入卫藏的过程中西藏西部地区曾经起到过重要的中转作用.

关 键 词:卫藏  波罗艺术风格  中亚--波罗风格

The Indian-Nepal Style in the Central-Tibet's Buddhist Art from 11~(th) to 13~(th) Century
YING Wei-feng.The Indian-Nepal Style in the Central-Tibet's Buddhist Art from 11~(th) to 13~(th) Century[J].Tibetan Studies,2008(4):34-41.
Authors:YING Wei-feng
Institution:YING Wei-feng(School of Historical Relics , Museology,Northwest University,Xi\'an,Shaanxi 710069,China)
Abstract:There were two kinds of Buddhist art styles in Central-Tibet from 11 th to 13 th century. One was the Indian-Nepal style originated in east India and spread to Central-Tibetan via Nepal; the other style formed in the west area of Tibet that was influenced by the Central-Asian art, so was called Central-Asia and Polo style. And the artists from Khotan or Central-Asia played an important role during the forming of this style. It was spread to the west area of Tibet at first and then to the Central-Tibetan fro...
Keywords:Central-Tibet  Polo style  Central-Asia and Polo style  
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