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周作人与"江户情趣"--兼与永井荷风比较
引用本文:孙德高,陈国恩.周作人与"江户情趣"--兼与永井荷风比较[J].武汉大学学报(人文科学版),2004,57(4):481-487.
作者姓名:孙德高  陈国恩
作者单位:武汉大学,文学院,湖北,武汉,430072
摘    要:周作人思想尽管来源庞杂,但日本传统文化对其有很大的影响,他的"趣味"的养成与日本"江户情趣"有很大的关系.他的"颓废"思想有西方唯美思潮的影响,也有佛道的影子.而对日本平安时代"物哀"与"谐趣"的文学传统体悟与吸纳也是不可忽略的重要组成部分,反映出同为东方的中日在吸收西方文化时某些共同的倾向.从东西比较文学的立场看,周作人和永井荷风代表西方唯美主义文学在中日的最初景观.

关 键 词:周作人  永井荷风  江户情趣  颓废
文章编号:1671-881X(2004)04-0481-07
修稿时间:2003年11月8日

ZHOU Zuo-ren and Edo Interest
SUN De-gao,CHEN Guo-en.ZHOU Zuo-ren and Edo Interest[J].Wuhan University Journal (Humanity Sciences),2004,57(4):481-487.
Authors:SUN De-gao  CHEN Guo-en
Abstract:Although the source of ZHOU Zuo-ren s thought is very complex and complicated, the Japanese traditional literature had a great influence in his thought. His "interest" formed seems greatly connect with Edo Interest. His "decadence" taken by western aestheticism and also taken by Buddhism, even including his understanding and absorbing to the Japanese traditional literature, such as "monoaware" and "okashi" during the Heiann time. It shows that China and Japan have a common literature tendency to absorb the western aestheticism literature. On the view of Oriental-Western comparative literature, ZHOU Zuo-ren and Nagaikafuu represented the early aestheticism literature in Sino-Japanese.
Keywords:ZHOU Zuo-ren  Nagaikafuu  Edo Interest  decadence  
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